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<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Chamber Music Today - Latest Comments in Early-Music Aleatorics: Mozart’s Macrogranular Minuet Generator</title><link>http://cmt.disqus.com/</link><description></description><atom:link href="https://cmt.disqus.com/early_music_aleatorics_mozarts_macrogranular_minuet_generator/latest.rss" rel="self"></atom:link><language>en</language><lastBuildDate>Sun, 07 Jun 2009 08:11:18 -0000</lastBuildDate><item><title>Re: Early-Music Aleatorics: Mozart’s Macrogranular Minuet Generator</title><link>http://chambermusictoday.blogspot.com/2009/06/early-music-aleatorics-mozarts.html#comment-10586061</link><description>&lt;p&gt;"It seems to me that the most radical redefinition of music that I could think of would be one that defines 'music' without reference to sound."&lt;br&gt;--Robert Ashley, 1961, quoted in Michael Nyman's book 'Experimental Music: Cage and Beyond', p. 11. ( &lt;a href="http://tinyurl.com/pmyjts" rel="nofollow noopener" target="_blank" title="http://tinyurl.com/pmyjts"&gt;http://tinyurl.com/pmyjts&lt;/a&gt; )&lt;br&gt;&lt;a href="http://www.robertashley.org/" rel="nofollow noopener" target="_blank" title="http://www.robertashley.org/"&gt;http://www.robertashley.org/&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Using random process (dice rolls) to decouple the resulting musical work from the 'sound' (the sounds specified by the measures that the dice rolls index) seems to meet Ashley's defn of 'radical'.&lt;/p&gt;&lt;p&gt;--dsm&lt;/p&gt;&lt;p&gt;&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">DSM</dc:creator><pubDate>Sun, 07 Jun 2009 08:11:18 -0000</pubDate></item></channel></rss>