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<rss xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title>Chamber Music Today - Latest Comments in Trio Hantaï and Marin Marais: Intimate Character Pieces and Politics of Melancholy</title><link>http://cmt.disqus.com/</link><description></description><atom:link href="https://cmt.disqus.com/trio_hantai_and_marin_marais_intimate_character_pieces_and_politics_of_melancholy/latest.rss" rel="self"></atom:link><language>en</language><lastBuildDate>Sun, 14 Jun 2009 16:32:54 -0000</lastBuildDate><item><title>Re: Trio Hantaï and Marin Marais: Intimate Character Pieces and Politics of Melancholy</title><link>http://chambermusictoday.blogspot.com/2009/06/trio-hantai-and-marin-marais-intimate.html#comment-10892530</link><description>&lt;p&gt;Several years ago John Sloboda published a nice paper with Steinbeis and Koelsch [then] at Max-Planck Institute for Human Cognitive and Brain Sciences in Leipzig (link above), showing the association of affect with breach of harmonic-expectancy.  The interesting passing dissonances and violations of harmonic expectations are, I think, why the Marais piece seemed so sad... are why, too, that work captured my imagination and led me to post this stuff.&lt;/p&gt;&lt;p&gt;dsm.&lt;/p&gt;</description><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">DSM</dc:creator><pubDate>Sun, 14 Jun 2009 16:32:54 -0000</pubDate></item></channel></rss>